Mission and Board of Directors

Teaching the history, sport, and art of swordsmanship to all, with safety and fun.

  

We have been practicing and teaching historical martial arts, sport fencing, and theatrical combat for many years before starting The Sword Conservatory, Inc. In that time, we have seen many approaches, so when we started The Sword Conservatory, we knew what we wanted...     

  1. To make swordfighting accessible to as many people as possible.     
  2. To offer multiple traditions, styles, sports, etc.     
  3. To focus on education.     
  4. To make it fun.

To make swordfighting accessible to as many people as possible.

Most swordfighting programs are made for adults. Traditionally, this makes sense due to the equipment cost, training commitment, physical rigor, mental rigor, and likelihood of injury involved. Even then, only a small number of adults could participate: those who had the money (equipment being an expensive pre-requisite), time, and conditioning to participate; plus the insurance and work flexibility needed to tolerate the inevitable injuries.

We seek to turn this paradigm on its head so that everyone can enjoy swordfighting at the level they want to. We keep our classes as low-cost as possible, without contracts. Our equipment chosen for safety and weight, and yet is low-cost. Depending on the program, children as young as 5 years old are able to take part. We don't just rely on equipment for safety, we also train in techniques to reduce the frequency and severity of injuries.

All told, we want people of all ages, athleticism, income levels, and interest to be able to participate in a real swordfighting experience.

To offer multiple traditions, styles, sports, etc.

There is a cliquishness to the martial arts communities that we don't want to be a part of. Medieval sword fighters can look on fencers as "just playing a game", while fencers scoff at the "fakeness" of stage combat. Even within the historical arena, an isolationist mindset can exist which says "my way is the only right way." We reject all of these approaches and see a continuum of legitimate - if different - ways to enjoy sword arts. They each have much to offer and should be regarded on their own merits. Each exists (and persists) for very good reasons, be it the imaginative and visual excitement of stage combat; the accessibility, safety, and sophistication of fencing; or the practical effectiveness of historical forms. We recognize that we must constantly advance and evolve our understanding of the sword arts, and believe that an open, interdisciplinary approach is not only the most expedient way to do this, it is also the most enjoyable.

To focus on education

Some groups swordfight to make a good show. Some swordfight for the adrenaline rush. While we like for what we do to be entertaining to watch, and we get a big kick out of doing it, we also really love to teach. Sharing our knowledge with people, seeing them learn, and helping them progress in experience is immensely gratifying.

To make it fun.

While we take safety very seriously, we are otherwise quite laid back. We do what we do because we enjoy it, and we want everyone else to enjoy it too.

The Board of Directors 

E-mails sent here will go to all members of the Board of Directors.

President: Craig Freudenrich, PhD.     

  • Craig has been teaching sport fencing for years and also specializes in 17th - 19th century historical sword fighting styles. He is lead instructor for Historical Fencing and Sport Fencing, and is also the Events Coordinator.     
  • Craig is a knight of European Medieval Arts of Arms, LLC where he founded the Sport Fencing program and studied for many years before becoming a founding Director of The Sword Conservatory, Inc.

Vice President / Treasurer: Carol Shaw           

  • Carol is an assistant instructor in the Historical Fencing and Sport Fencing classes and was previously a knight of European Medieval Arts of Arms, LLC.

Secretary: Eric S. Lindbeck           

  • Eric specializes in Medieval through Renaissance swordfighting styles and enjoys researching primary sources for new class material. In addition to being lead instructor for Medieval Swordfighting, he utilizes his business experience to run TSC's operations.           
  • Eric is a knight of European Medieval Arts of Arms, LLC, where he founded the Holly Springs school of European Medieval Arts of Arms and studied for many years before becoming a founding Director of The Sword Conservatory, Inc.

Rae Kelly

Dennis Tully